Aside from two images which I felt were not very strong (the laughing portraits of the President’s in his dream, and the final “shaft” and “penetrate” (we get it, just trust your reader), this is a wonderfully crafted story.

Canty uses language, not as a blunt instrument, but finds words that can take on many, confused meanings. My favorite was “Yolked” from the hymn song title: I imagined eggs, reproduction, fragility, runniness, eggs in a basket. He then repeats the egg imagery by calling the congregation “hens and chicks”. Later we get the word “stalky”: Sander “hangs around the edge of the room like a curtain, a piece of furniture…”, like a stalker with shady intentions, but also like the growing yellow flowers his mother planted: unsure, unready, green. And he later mentions planting seeds (of faith) but implying sex, too.

One line that I wasn’t able to interpret was when Sander says to his mother about Clara and her father, “But the two of them… ” What does this mean? I immediately thought incest, but it’s left unresolved.

I loved this messiness of language, of confused faith in Sander who Clara turns to for genuine help but who can’t help her. He’s helpless, as is she, but at least she can have pleasure.

And in the end I felt as if he had been cast into that oblivion his faith believes in: “Still eight weeks of summer left”, and without Clara. An eternity for a 15 year old.