Monthly Archives: January 2018

page 146 of 960 of Sir Thomas Malory: Le Morte Darthur: The Definitive Original Text Edition

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If Arthur does not pay there will be war. Arthur also has to promise to protect the messenger’s lives on their return journey to the emperor because he’s a good king. By the way, Arthur is not about to pay Lucius tribute, especially since he believes he’s as powerful (and descended) from the great emperors of Rome (as a lot of rulers used to think – and still might in the 21st century)

page 145 of 960 of Sir Thomas Malory: Le Morte Darthur: The Definitive Original Text Edition

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Ah, the worst book in the whole Mort. This was an experimental book on Malory’s part because he kept the original alliteration from the sources and it reads … awful. This whole book is a slog to get through. Anyway, enter Lancelot and Trystams, and enter a messenger from the Emperor Lucius (in Rome) who wants tribute from Arthur.

page 140 of 960 of Sir Thomas Malory: Le Morte Darthur: The Definitive Original Text Edition

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Marhaute (still with the 30 year old damesell) frees all the prisoners of the giants (giants serve as monsters that are “enclosures” in that they always take prisoners and freedom away from people. There’s a greed element here, too). After all the fighting, Marhaute needs 6 months to recover from his wounds, Uwayne and his 60 year old beats 30 knights at tourney, meets 2 knights who are extorting a castle.

Formal Differences in “The Lamb” and “The Tyger”

The formal differences between Blake’s “The Lamb” and “The Tyger” highlight the poet’s conflicting ideas concerning the dual nature of a creator. In both poems Blake uses rhymed couplets which suggests an overall order being imposed upon nature by a creator/artist, however, the assonance of the end rhymes in “The Lamb”, such as “thee” and “mead” (long e), “lamb” (long a), and “child” (long i), contrast in tonality with the harsher consonant end rhymes of “night” (short i, sharp t), “beat” (short e, sharp t), and “grasp” (short a, sharp p), found in “The Tyger”. The softer, soothing vowels of the former poem evoke a sense of comfort and reassurance which is also representative in the structure of the individual stanzas. While “The Lamb” has only two stanzas with indentations highlighting the comforting repetitions of “Little Lamb …”, in contrast, “The Tyger” uses violent, warlike vocabulary and is fragmented consisting of 6 stanzas whose only repetition is found in the lines “What immortal hand or eye / Could [Dare] frame thy fearful symmetry,” which creates an overwhelming sense of discomfort. Blake has also structured both poems to act as a sort of dialectic, however unlike “The Lamb” which has an answer for the question of “who made thee”, “The Tyger” offers no such reassurance, the question is left unanswered and the poem concludes with a question mark. While both poems ask similar questions about the nature of a creator, Blake reveals a complicated relationship he may have had with this creator, one in which the creator can both be “mild” but who can also “twist the sinews of thy heart”.

page 125 of 960 of Sir Thomas Malory: Le Morte Darthur: The Definitive Original Text Edition

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Marhaus and Gawayne are now friendly with each other after this fight. Marhaus then says those damesells they say spitting on the shield are sorceresses. We also learn that the only knights greater than Gawayne in his magical strength are” Lancelot, Trystams, Bors, Percivale, Pelleas, and Marhaus.

page 124 of 960 of Sir Thomas Malory: Le Morte Darthur: The Definitive Original Text Edition

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Marhaus rides up and fights with one of these knights (who had previously took refuge in the tower). Marhaus kills the knight (and his horse). Marhaus now wants to joust Uwayne and Gawayne and so Uwayne goes first. Uwayne looses, so Gawayne has a go at it. Here we get mention of Gawayne’s great strength for 3 hours a day.

page 110 of 960 of Sir Thomas Malory: Le Morte Darthur: The Definitive Original Text Edition

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Accalon is given Excalibur (he’s now the false holder of the sword) and the sheath / scabbard. This came from Morgan le Fay through trickery. Damas tells his brother, Oughtlake to get ready for battle. Arthur is on Damas’ side and Accalon (with Excalibur) is on Oughtlake’s side. (I think I have this right?)

page 109 of 960 of Sir Thomas Malory: Le Morte Darthur: The Definitive Original Text Edition

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Arthur agrees to fight for this evil Damas. It also turns out these lady’s are from Morgan le Fay, so you know they’re no good. All the knights are freed from the prison (20 total / thought it was 18 + Arthur?). Story switches to Accalon (was out hunting with Arthur) who woke up in a well and is rescued.